Étienne Joubert is a fourteenth-century Templar knight living in twenty-first-century New York City, serving the Catholic Church in a world teaming with gods. When a demon goes on a killing spree, including two Lenape Tribal Elders, it falls to Joubert to deal with the problem and keep the peace between the two faiths. But his mission is complicated by differences within the Church, and he’s fortunate to have the assistance of his longtime valet and newfound assistant.

“The Squire and the Valet” was written for ReDeus: Native Lands, edited by Robert Greenberger and Aaron Rosenberg. In this third ReDeus shared-world anthology, the stories had to involve the faiths of Native Americans in the same transformed world, in which every pantheon of gods and goddesses who have ever been worshipped has come back. I returned again to Joubert, my character from my first two contributions to the ReDeus series, “The Tale of the Nouveau Templar” (now titled “The Many Gods of Manhattan”) and “A Medieval Knight in Vatican City.” To mix things up a bit more, I prominently featured Joubert’s valet, Wilkins, as well as Joubert’s sidekick/squire, Tony. The excerpt below is from the opening scene.








The Squire and the Valet

       Wilkins scrambled clumsily over the low wrought-iron fence to check for signs of life, but wasn’t optimistic. The patch of white at the front of Crawford’s collar was spaatered red, and the bloody rents in the black clothing suggested the deep claw wounds of a large animal. A substantial amount of blood had run down the steps and pooled at the bottom. A smeared trail of blood led back through the open wine-red door of the cathedral. Wilkins knelt beside the body, which lay on its back, head hanging over the stairs, and felt for a pulse at wrists and neck with no luck. He looked more closely at the body, trying to understand what had happened, how some vicious animal had attacked Crawford inside the cathedral. Leaning over the priest, he discovered this was no natural attack; the shaft of an arrow protruded from the victim’s left side. . . .



Native Lands cover and ReDeus concept copyright Crazy 8 Press. Nouveau Templar cover and text copyright Scott Pearson.
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